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Poppy is one of the dual protagonists and narrators of the novel. Born and raised in Blossom Grove, Georgia, Poppy is the first American Rune meets when the Kristiansens move to Georgia. Early characterization of Poppy frames her as an optimistic, outgoing child, as she approaches Rune, withstands his surly responses to her questions, and befriends him. However, later characterization paints Poppy as an outcast, with Jorie and Rune as her only friends. After Rune’s family moves back to Oslo, Poppy notes, “I became the girl I always should have been—invisible to the popular crowd. The weird girl who wore bows in her hair and played the cello” (71). Despite Poppy’s upbeat and extroverted behavior with Rune, she is too “quirky” for the mainstream students at school. Various objects associated with Poppy lend additional clues to her personality, such as her bow and cello. Her bow represents Poppy’s individualism, as she notes that it is not a popular accessory. The cello shows her interest in art and music, as well as her dedication to her passions. Altogether, Poppy is bright, happy, and passionate, all of which she brings to her daily life and her romance with Rune.
Though Poppy’s central narrative role is to be one half of the novel’s love story, she also serves as a sage or mentor archetype because of her optimism in the face of her illness. Though Poppy is a round character, she is not dynamic, meaning she does not change over the course of the novel. Instead, her unwavering optimism influences Rune’s understanding of himself and the world, making him more aware of The Fleeting Nature of Life and the Importance of Memory and helping him develop Emotional Resilience in the Face of Loss and Mortality.
As in many works in which a main character dies of an illness, the conclusion shows Rune and Poppy’s families reflecting on the ways Poppy changed them. However, Poppy’s influence reaches beyond their families, as Deacon tells Rune at the lantern ceremony: “It didn’t take much to get the word out you were doing this. We got more volunteers than we needed” (329). His remark implies that Poppy, despite seeing herself as an outcast, had a significant impact on her entire community.
Rune is the other dual protagonist and narrator. He is a Norwegian immigrant to America, and early characterization of Rune portrays him as irritable and withdrawn, though easily won over by the five-year-old Poppy. Over the years, Rune becomes more open with Poppy but remains withdrawn with others, developing a “bad boy” persona by the time he and Poppy reach high school. His main friends other than Poppy are Deacon and Judson, who help him maintain a connection with Georgia while he is back in Oslo. Still, Rune notes of this period of his life: “It wasn’t long before I began to party. To drink, to smoke—to do the opposite of anything my pappa told me” (205). Rune’s remark implies that his “bad boy” persona is not a defining character trait but a reaction to his father’s perceived callousness—to Rune’s feelings of betrayal, his distance from Poppy, and his desire to express his anger in any way available to him.
Nevertheless, Rune’s negative attitude is an obstacle that Poppy needs to overcome to have a happy relationship with him. Rune thus becomes the receptacle for Poppy’s optimism and wisdom, particularly after he learns of her illness. In many “sick lit” works, a healthy character serves as a stand-in for the reader regarding the character with a severe illness, and Rune is that character in A Thousand Boy Kisses. He is a dynamic character, meaning he changes over the course of the novel, and the change he experiences is the direct result of Poppy’s influence. As Poppy’s condition deteriorates, she constantly reminds Rune to live life to the fullest; even after death, Poppy uses the boxes she prepares for Rune to comfort him and encourage him to live out his fantasies. Rune is then able to pass that support on to Savannah, and he spends the 10 years after Poppy’s death becoming a successful photographer, demonstrating the lasting impact of Poppy’s influence.
Erik and Adelis are Rune’s parents, who moved to Georgia from Oslo for Erik’s job. Because the novel is focused on Rune and Poppy, Adelis and Erik do not receive a great deal of characterization. Adelis, like Poppy’s mother, is a stock mother character largely defined by her love for Rune, Alton, and Erik and her attempts to mediate between her children and husband. At critical moments in the novel, such as when Rune discovers Erik’s plan to move the family back to Oslo, Adelis supports Erik’s decision while expressing sympathy for Rune’s anger; she also withholds knowledge of Poppy’s illness from Rune. Adelis is most supportive when Rune begins spending more time with Alton, which suggests that her primary concern is the security and happiness of her family, even if that means periodically disappointing Rune.
Erik is an antagonist for most of the novel because of the barriers he enforces between Rune and Poppy. Erik chooses to move his family back to Oslo for his job, and he downplays the meaningfulness of Rune and Poppy’s relationship, assuming Rune will recover quickly after the relocation. Even after Rune announces that he will hate his father forever, Erik continues to oppose Rune and Poppy’s relationship; it is not until Poppy reaches out to Erik that he mends his relationship with Rune. Erik is a typical YA father figure in this, as the genre often depicts parents misunderstanding their children. Erik does not hurt Rune on purpose, but he does irreparable damage to Rune’s love life because he thinks he understands the situation better than his son.
James and Ivy are Poppy’s parents, and they become friends with Erik and Adelis over the course of Poppy and Rune’s relationship. Ivy is characterized almost identically to Adelis, as her dominant trait is her love for Poppy and the rest of her family. Though Ivy never holds any animosity toward Rune, she is initially unable to accept him because of James’s discomfort. She therefore expresses concern over Rune and Poppy’s relationship after Rune returns from Oslo, but she is ultimately convinced of the legitimacy of Rune’s love for Poppy by Rune’s dedication to caring for Poppy in her illness, coming to understand their relationship as a highlight of Poppy’s short life.
James is analogous to Erik in the antagonistic role he plays for much of the novel. He opposes Rune’s involvement in Poppy’s life both before and after the Kristiansens move back to Oslo because he sees Rune as a bad influence on his daughter; like many fathers of female love interests in young adult works, he implicitly worries that Rune is pretending to love Poppy because he wants to have sex with her. However, like Erik, Adelis, and Ivy, James sees Rune’s dedication in Poppy’s final months, and he ultimately concludes that Rune is a good and loving boyfriend. After Poppy’s death, James and Ivy welcome Rune into their home and family, resolving the conflict driven by James’s discomfort.
Ida and Savannah are Poppy’s younger sisters, with Ida being the youngest and Savannah being the middle child. Ida and Savannah are only periodically present in the novel, as they are not focal characters. However, Ida and Savannah have unique roles in mirroring Poppy and Rune, respectively. Ida is similar in appearance to Poppy, and she shares Poppy’s unwavering optimism and cheerfulness. When Rune sees Ida after Poppy’s death, he is immediately reminded of Poppy’s eyes and smile. Ida thus shows how Poppy will live on, offering another conception of the “afterlife.”
Savannah, like Rune, is sullener and more withdrawn, especially following Poppy’s death. When Rune returns to Blossom Grove in the novel’s final chapter, he relates to Savannah, who wears all black (as Rune did through most of the novel). Savannah’s inability to cope with her anger and sadness over Poppy’s death mirrors Rune’s inner conflict, and she therefore provides Rune with an opportunity for character growth. In telling Savannah to take comfort in Poppy’s memory, he is also telling himself to keep Poppy in his mind and heart moving forward.
Alton is Rune’s younger brother, and he idolizes Rune. Alton serves to highlight Rune’s character growth, with Rune’s relative closeness or distance from Alton representing his overall state of mind. When Alton is a baby, Rune does not interact with him much but does not actively ignore him. However, in Oslo, Rune begins avoiding Alton, as he does Adelis and Erik. It is only when Poppy encourages Rune to foster a healthier relationship with Alton that Rune begins spending more time with his brother. In the final chapter, Rune is affectionate and open with Alton, displaying his completed character arc.