logo

42 pages 1 hour read

Jonathan Swift

A Tale Of A Tub

Fiction | Novella | Adult | Published in 1704

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Character Analysis

The Narrator (Jonathan Swift)

Although Swift didn’t want to admit that he wrote A Tale of a Tub because he didn’t want to hurt his career advancement as an Anglican clergyman, many knew that he was the author. Despite the guise of a narrator, Swift’s  voice is the one responsible for the arguments in the treatise, the many tangents, and the satiric tone. He uses the book to highlight differences between three Christian faiths: Catholicism, Protestantism (or Anglicanism), and Puritanism. He also uses allusion, metaphor, symbols, and allegory to explore the hypocrisy of these religions. He uses “digressions” to analyze the state of scholarship and critique, to compare ancient ideas to modern ones, as well as to discuss the meaning of digressions and the roles of writers. Swift employs his skills of observation and storytelling, nuanced by his specific satirical and unsparing sense of humor, to guide readers through a varied exploration of the religious, literary, and political worlds in England during the late 17th and early 18th centuries.

Peter (Lord Peter)

Peter is one of the brothers in “The Tale of a Tub” sections. His character is supposed to symbolize the Roman Catholic Church. He is the first to diverge from his father’s will by altering his coat, and he makes the rules that convince his brothers to add to them, too. He begins to call himself “Lord Peter” and takes control of their father’s will, altering it as he sees fit. Peter tells his brothers what they can and cannot do, restricting them to rules that he has made. He begins to invent things, sells medicines and cures, and also lies all the time. He is very arrogant and is always in a standoff with his brothers. He is representative of the Catholic Church because he was the first brother to be in control. Peter also is very wealthy, as well as demanding. He wants to be the only one in charge and expels when they displease him, showing the Catholic Church as a domineering force in society.

Martin

Martin is another of the three brothers. His character symbolizes Protestantism, or the Church of England. He is the brother who is more careful about the way that he takes the added adornments off his coat. His theories differ from Catholicism, but not so much that the coat needs to be torn to shreds. He advises moderation when Jack tears at his coat, to no avail. He is involved in the wars between the brothers and deals with the various monarchs that back the respective religions that they represent. Martin is a stand in for Protestantism—Swift’s own religion. He was named for Martin Luther, the writer of the 95 Theses, the work that incited the Reformation. In his moderation and relative sanity, Martin shows the author’s bias toward Protestantism. 

Jack

Jack is the third brother. His character is a symbol for Puritanism. When he and Martin break away from Peter, he roughly pulls the adornments from his jacket, leaving holes that he must sew up. Tellingly, Jack is the most extreme. He believes in predestination and dislikes music and painting. He also goes crazy, travels abroad, preaches, and founds an Aeolist sect filled with people who are supposedly divinely inspired.

Harry Huff (Henry VIII)

Henry VIII wars with Martin. However, after wishing to get divorced so that he could marry Ann Boleyn, he has a falling out with Peter. His desire for an annulment of his first marriage resulted in his leaving the Catholic Church. Then he appointed himself the head of the Church of England.

John Lord Somers

The man who the Bookseller addresses and praises in a letter at the beginning of the book, Lord Somers was a writer before he became a lawyer and Lord Chancellor. He might have been receptive to Swift’s discussions of writers and literature. He also might have been able to provide financial backing for the printing of the book, which the Bookseller would have been interested in.

The Bookseller

The Bookseller writes two letters that are at the beginning of A Tale of a Tub. One is to John Lord Somers asking him to get behind the publishing of this book, with his stamp of approval and perhaps some money. The second letter is to the reader. The Bookseller asserts that the author does not know that this work is being published and explains why he did not come out with it earlier. He did not choose to publish, he writes, because he had better work to put out. He also would have liked to get more direction from the author.

blurred text
blurred text
blurred text
blurred text