45 pages • 1 hour read
Clyde Robert BullaA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The door knocker, which was once on the front door of the Freebold’s house in London, is described as “a small lion’s head made of brass” with a brass bar hanging from its mouth (13). It symbolizes a time when the family was all together, united under one roof. When the house was sold, the father gave the children, specifically Jemmy, the door knocker as a “lion to guard” them while he was away in America (13). Throughout the novel, Jemmy keeps the door knocker to remind them that they will be reunited with their father, making the door knocker a symbol of hope.
The door knocker is also important in Jemmy’s transformation as a character. On the Sea Adventure, he uses it in childish ways, knocking it against the wooden ship and saying, “Knock-knock, here comes Jemmy!” and bragging to the Hopkins’s children that it is made of gold rather than brass (67). However, when it is stolen by Master Waters, Jemmy takes the initiative to retrieve it before the ships sail for Virginia. This makes it a symbol of Jemmy’s growing independence and budding masculinity—the door knocker motivates him to act heroically and confront the thief. The door knocker also sparks their father’s memory when the family is reunited, reflecting the light and brightening the room. This symbolizes hope for the family’s future in Jamestown.
The Freebold family is defined by their struggle with poverty in London, and poverty becomes a motif in the text. In Mistress Trippett’s house, Amanda is an unpaid servant while her mother is ill, and the money her mother owns is taken by Mistress Trippett and never returned. The description of the Freebolds’ sparse material possessions reinforces their lack of wealth. For example, the room the children share in Mistress Trippett’s home is “a tiny room in the back of the house” that contains only a pallet with a cover made from “a piece of red velvet curtain, faded and old” (8, 10). These descriptions reinforce that their poverty is maintained by Mistress Trippett, who keeps the family in worse conditions than necessary and gives them old castoffs. When the children are thrown out of her home, they are confronted with both poverty and homelessness. When Jemmy sees an inn, he tries to pull Amanda toward it and Amanda explains that they can’t go in there because “It’s only for those with money” (36). These scenes introduce an element of social critique in the text, asserting that poverty is maintained by upper-class individuals and social norms rather than a natural fact of life.
Both the children and their parents view the “New World” as a place to escape their poverty. Amanda explains to Anne Hopkins that although she was a servant in London, she “won’t be a servant in the New World” (62), interweaving contemporary ideas of the American dream in the text. Dr. Crider’s actions emphasize that poverty can be alleviated when better-off people choose to help; though he has less to offer than Mistress Trippett, he buys them good food and clothing and gives them a real bed to sleep in. However, the voyage to Virginia reasserts class boundaries as those with greater social standing and money have rooms while everyone else stays in the hold of the ship together. After Dr. Crider dies, the children once again have to fend for themselves, showing that poverty endures even in the more idealistic “New World.”
The devil doll and ball symbolize Amanda’s unsuccessful attempt to manage an unpredictable, changing world. After Dr. Crider dies, Amanda buries her grief and fear because she knows she must take on the role of caregiver again. She tries to pretend everything is fine by telling her siblings stories and singing a song. The Hopkins children have toys made of cloth that the Freebold children do not have—symbolizing their better social status—so Amanda decides to make Jemmy and Meg presents during the night with scraps of cloth.
Ideally, these gifts would symbolize Amanda’s care for her siblings. However, in the light of day, she and her siblings see that the results of her labor are not very good. The doll is "ugly" with a "crooked smile" and "[t]he pieces of string she had used for hair looked like snakes. It was a devil doll" (67). Meg refuses to take it. The ball looks more like "a bean bag" (67), and Jemmy instead requests the door knocker, which gives him comfort. After this, Amanda throws the doll and the ball overboard, which gives her comfort. This is a symbolic gesture that reassures her that she doesn’t have to fix every problem. Along with the toys, she throws away “some of her sadness, [and] some of her fear” (67).