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48 pages 1 hour read

Evelyn Waugh

A Handful of Dust

Fiction | Novel | Adult | Published in 1934

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Background

Authorial Context: Evelyn Waugh and Satire

Evelyn Waugh, born on October 28, 1903, in London, was one of the most prominent British writers of the 20th century. Waugh was born into a literary family; his father, Arthur Waugh, was a publisher and literary critic, and his older brother, Alec Waugh, was also a writer. Evelyn grew up in a privileged environment that exposed him to literature and the arts from a young age. He attended Lancing College, a public (known in the US as private) school in West Sussex, where he developed an early interest in writing and a lifelong disdain for the English upper class despite his own privileged background. This disdain is evident in his satire of the gentry in A Handful of Dust.

In 1922, Waugh went on to study history at Hertford College, Oxford. His time at Oxford was marked by his involvement in the hedonistic lifestyle of the “Brideshead generation,” a group of young men who indulged in excessive drinking, extravagant parties, and a general disdain for the conventional values of their parents’ generation. However, Waugh’s academic career was less successful. He left Oxford without a degree in 1924, a failure that reflected his growing disillusionment with academia and the social environment at the university. After leaving Oxford, Waugh briefly worked as a schoolmaster, a period he found miserable and uninspiring. His experiences during this time would later inspire his first novel, Decline and Fall (1928), a satire of the British educational system and the moral decay of society.

Decline and Fall was an immediate success and established Waugh as a leading satirist of his generation. The novel’s absurdist humor, sharp social critique, and satirical portrayal of the British upper class won him critical acclaim and a devoted readership. Waugh’s early works, including Vile Bodies (1930) and A Handful of Dust (1934), continued in this satirical vein, skewering the absurdities and hypocrisies of the British elite and the superficiality of modern society. In 1937, Waugh continued in this vein with the publication of Scoop, a satire on journalism. Despite his success as a satirist, Waugh’s personal life was tumultuous during this period. In 1928, he married Evelyn Gardner, but the marriage quickly fell apart, leading to their separation in 1929. The breakdown of his first marriage had a profound effect on Waugh, leading him to a period of deep introspection and a subsequent conversion to Roman Catholicism in 1930.

The outbreak of World War II had a significant impact on Waugh’s life and career. He served as a war correspondent and later as an officer in the British Army, experiences that would later inspire his war trilogy Sword of Honour (1952-1961). Waugh’s most famous and widely read novel, Brideshead Revisited (1945), was published shortly after the war. The novel, subtitled “The Sacred and Profane Memories of Captain Charles Ryder,” explores themes of nostalgia, faith, and the decline of the British aristocracy. Set against the backdrop of a grand English estate, Brideshead Castle, the novel tells the story of Charles Ryder and his complex relationship with the aristocratic Flyte family. Brideshead Revisited is notable for its exploration of Catholicism, particularly the tension between religious faith and secular life, a theme that reflected Waugh’s religious convictions. In 1948, Waugh published The Loved One: An Anglo-American Tragedy, a satire about Hollywood and the film industry that inspired the 1965 film The Lost Ones, starring Robert Morse.

Historical Context: Interwar England

A Handful of Dust is set in the period between World War I and World War II, known as the interwar years (1918-1939). This era brought significant changes to English society, shaped by the aftermath of World War I, the economic challenges of the 1920s and 1930s, and the evolving social landscape.

English society had historically been characterized by a rigid class system, though the lines separating the lower, middle, and upper classes had begun to blur well before the 20th century. In particular, the growth of a powerful and diverse middle class increasingly threatened the primacy of the upper classes, roughly defined as including the aristocracy (titled) and the gentry (non-titled but landed). The middle class, by contrast, included professionals such as doctors, lawyers, teachers, and civil servants, as well as business owners, shopkeepers, and those involved in commerce and trade. By the interwar era, the wealth of this segment of society often rivaled or eclipsed that of gentry like the Lasts. Indeed, throughout A Handful of Dust, the Last family teeters on the threshold dividing the upper classes from the middle class: Tony Last owns a large ancestral home but can barely afford to maintain it, while Brenda rents a small apartment in London alongside other young women.

The interwar years also saw significant changes in the social and cultural life of the British public. The trauma of World War I, with its massive loss of life and the disillusionment that followed, led to a questioning of traditional values and a desire for change. This period saw the emergence of new social norms, cultural movements, and leisure activities that reflected changing aspirations and attitudes.

One of the most significant changes was the shift in gender roles. The war had brought women into the workforce in unprecedented numbers, and although many women returned to traditional roles after the war, the experience had a lasting impact. Women’s suffrage, achieved in 1918 for women over 30 and in 1928 for all women over 21, marked a significant step toward gender equality. Women increasingly sought opportunities for education, employment, and independence, challenging the traditional notion of the domestic sphere as their primary domain. Brenda uses this to her advantage, telling her husband that she will be taking a class in economics to give herself cover for her affair.

Social Context: English Divorce Law

The last stretches of A Handful of Dust concern the protracted divorce between Tony and Brenda. In the early 20th century, English divorce law was heavily influenced by patriarchal norms and values, reflecting a legal system that favored men and imposed significant disadvantages on women. Divorce was difficult to obtain, socially stigmatized, and legally structured in a way that reinforced traditional gender roles and the subordination of women. Divorce in early 20th-century England was governed by the Matrimonial Causes Act of 1857, which made divorce more accessible by transferring authority from the ecclesiastical courts to civil courts. However, the Act established a double standard that made it much easier for men to obtain a divorce than for women.

Under the 1857 Act, a husband could petition for divorce on the grounds of his wife’s adultery alone. In contrast, a wife seeking a divorce had to prove not only her husband’s adultery but also an additional offense, such as cruelty, desertion, or incest. This requirement placed a significant burden on women, making it more difficult for them to escape unhappy or abusive marriages. In the novel, Tony agrees to stage a fake affair to provide evidence for the court, a seemingly typical practice that the participants are familiar with.

The law reflected the patriarchal belief that men were entitled to more freedom and control within marriage, while women were expected to uphold moral standards and preserve the sanctity of the home. Adultery by a wife was seen as a more serious offense than adultery by a husband, as it was believed to undermine the legitimacy of children and the stability of the household.

The process of obtaining a divorce was expensive, time-consuming, and public, which discouraged many from pursuing it. Divorce cases were heard in open court and the details of marital disputes were often reported in the press, exposing the parties to public scrutiny and social judgment. This public nature of divorce proceedings deterred many, particularly women, from seeking divorce due to the fear of social ostracism and damage to their reputation.

The law also granted men significant advantages in terms of financial settlements and child custody. Upon divorce, men typically retained control over property and finances, leaving women in precarious economic situations. Child custody laws were similarly biased, with fathers favored as the custodians of children, particularly in cases where the mother was deemed to have been at fault, though this becomes less of a concern for Tony and Brenda.

For many women, the inability to secure a fair financial settlement or retain custody of their children was a powerful deterrent against seeking a divorce, even in cases of severe marital abuse. Women who did seek divorce often faced a life of financial insecurity and social exclusion, as divorced women were often stigmatized and marginalized in society. Tony initially grants Brenda the benefits of a quick and easy divorce. When she pushes him, however, he takes advantage of the patriarchal nature of the system to punish her for betraying him.

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