logo

64 pages 2 hours read

Ernest Hemingway

A Farewell to Arms

Fiction | Novel | Adult | Published in 1929

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Symbols & Motifs

Water

Water symbolizes both life and death. In Chapter 1, when the rains come, it is not life-giving rain. The rains cause 7,000 men to die from cholera. In Chapter 29, the rains create mud, and the mud is what traps Frederic’s vehicles during the calamitous retreat, eventually leading to Frederic’s shooting of a deserting soldier as well as leading to his own desertion.

But water also represents survival and life for Frederic. He dives into the Tagliamento river in order to escape being shot. His emergence from the water is a type of baptism as he emerges with a new identity, that of a civilian, and he sheds his old identity as a soldier. And again, he and Catherine must escape from Italy so that Frederic won’t be arrested for desertion, so they row all night until they reach Switzerland.

Catherine predicts her own death when she admits to Frederic that sometimes she sees herself dead in the rain. By the end of the novel, she is dead from childbirth, and Frederic must head out into the rain, alone.

Mountains

The mountains resist the war. Although fighting takes place in the mountains, Frederic much prefers the flatter grounds for fighting since it seems hopeless to achieve victory in the endless mountains; once you conquer one mountain, there’s always another mountain waiting that must be conquered. But once Frederic is with Catherine, the cold snow-capped mountains represent safety and comfort. When the snows come, Frederic and Catherine are sheltered in an idyllic home where they both find peace. There is nothing harsh about this snow. Instead, the snow seems brisk and refreshing, and they enjoy long walks on the hard-packed snow and ice.

Significantly, snow symbolizes peace as well since the fighting stops once the snows begins. Additionally, the priest suggested to Frederic that he take his leave in the snow-capped mountains of Abruzzi. Frederic doesn’t, and he regrets such a failure. He reflects that people do not always do what they want to do. Later, after leaving the war, he is able to seek solace in the mountains with Catherine prior to her death.

Clothing

When Frederic takes the stars off his uniform to disguise his officer identity, it is only the beginning of the shedding of his military identity. When he is able to get a pair of civilian clothes from a friend, he quickly sheds his military uniform forever. But the new civilian clothes do not fit easily. He misses the feeling of being “held in” by his clothes. When he sees his reflection in the mirror, he does not recognize himself. He misses the military identity that clearly identified who he was, not only to others, but to himself. When he was a soldier on convalescent leave in Milan, an old man wanted to take his silhouette. He asks Frederic to remove his hat but Frederic refuses. The old man understands, saying that he understands Frederic wants a military look. The uniform gives Frederic an identity to hold on to. Once he loses that look, he is lost and unsure of what his occupation is. Only Catherine is able to provide meaning for him.

Newspapers

Frederic constantly reads newspapers to learn about the war. During his convalescent leave he is avid to learn what is happening on the front. Later, after he has deserted the army, he tries not to read them but eventually succumbs. The news is always delayed, as it is reported after the fact of battle. The action is already in the past and he is distant from it, not only in physical distance, but also in time. 

Marble Statues

While waiting for Catherine in the hospital lobby, Frederic sees a row of marble statues. Frederic knows that the villa used to belong to a wealthy German who must have spent a lot of money for these statues. Frederic thinks that the statues are depressing and look like they belong in a cemetery; he finds the art-form lacking all life as they seem indistinguishable from each other.

At the end of the book, when Frederic tries to say good-bye to the dead Catherine, he can’t. Her body now looks like a marble statue. He runs away from it, into the darkness of the night.

Any time an author reflects on art in a text, this can be seen as a type of reflection on his own kind of art. By labeling the statues as lifeless, Hemingway clearly wants to create a different kind of art. He wants to distinguish himself from what he saw as the lifeless diction of 19th century British authors—and the American authors who tried to copy such diction— which he saw as comparable to the lifeless marble statues. Instead, he wants to strip the language of all marble in order to create a new kind of writing full of life.

blurred text
blurred text
blurred text
blurred text