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71 pages 2 hours read

Ann M. Martin

A Corner of the Universe

Fiction | Novel | Middle Grade | Published in 2002

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Chapters 15-19Chapter Summaries & Analyses

Chapter 15 Summary

Hattie attends her official birthday party with her parents, Nana, Papa, Cookie, the boarders, and Adam. Dad films the event, capturing Adam as he steals a frosting rose off Hattie’s cake. Papa tells Adam to go sit in the car. Hattie tries to intervene, but Adam stomps away, awkwardly ending the party. Nana and Papa hold their biannual formal dinner, to which kids are not invited. Hattie gets permission to spend the night at the carnival with Leila. Hattie knows that Adam will also not be included at the dinner, and secretly suggests he sneak out and join them at the carnival. Adam thinks the lit-up carnival rides are magical. He says he wants to ride the Ferris wheel, but the girls are not sure Adam genuinely wants to ride it—he seems extremely nervous. Adam enjoys the ride, feeling like he is in the center of the universe, until the Ferris wheel gets stuck with their car at the top. Leila assures Adam that this happens often, and her father will fix it, but Adam becomes increasingly agitated, shrieking in terror. Hattie is afraid of him.

Chapter 16 Summary

Leila and Hattie cannot calm Adam. He knocks Hattie away from him, hurting her. Adam rocks the car, pulls the safety bar over their heads, and stands up. Leila and Hattie try to make him sit down. Other passengers call encouragement to the girls, and shout for the police. Adam gets one leg out of the car and climbs on the metal structure of the Ferris wheel. Hattie and Leila desperately hold onto his other leg while Adam fights and tries to kick them off. Hattie realizes that Adam is terrified. The ride begins to move. They arrive safely on the ground where a large crowd has gathered, and the police are waiting. Policemen grab Adam, who is still fighting, and put him in handcuffs. The girls are bruised and cut up, but okay. Dad and Papa arrive in time to learn that the police are sending Adam to the hospital in a straitjacket. Hattie admits to Dad that she did not ask Nana and Papa’s permission for Adam to join her. 

Chapter 17 Summary

Papa pulls strings at the hospital, so Adam comes home the following day. Hattie’s family is angry with her, and she is angry back at them, and even frustrated with the boarders. She wishes she lived in a normal household. Mom and Dad forbid Hattie from leaving the house; Nana forbids her from going to the carnival and seeing Leila or Adam. Hattie accuses the adults of not thinking about Adam, which Mom tersely denies. Hattie decides not to speak to any of them. The Strowsky family—a sad-faced single woman with two sorrowful children near Hattie’s age—moves into the guest room at the boarding house. Mrs. Strowsky’s husband died, and she is looking for a job and a place to start over. Hattie frets about Adam, wondering what he is doing in Nana and Papa’s house all day. Hattie feels that she really does not know Adam, but at the same time, feels like they are very much alike. 

Chapter 18 Summary

Hattie gets to know shy Catherine Strowsky, who will be in seventh grade with Hattie next fall, if she and her mom and little brother Sam stay in Millerton that long. Adam arrives in a happy mood, carrying a bunch of flowers clearly pulled out of the ground. Adam asks after Angel Valentine. Hattie offers to knock on Angel’s door, but Adam impulsively pushes open the door to Angel’s room without knocking. They catch Angel and her boyfriend, Harry, in an intimate moment: Harry has on pants, but no shirt, and Angel is topless. Adam stares at her naked chest as she quickly buttons her blouse. Hattie also stares, fascinated at seeing what couples do privately. Adam wails and runs away. Hattie angrily shuts Angel’s door and follows Adam back to Nana’s house. When Hattie explains what happened, Nana is angry at Hattie for letting Adam up to Angel’s room, claiming Hattie should have known better. Hattie realizes she is similar enough to Adam to know what he is thinking, but she does not want to be like him. She defies Nana and goes to the carnival to see Leila.

Chapter 19 Summary

The carnival is closed, and workers are busy packing up. Leila’s uncle Jace tells Hattie that Leila and her family have already left for the next town. Crushed, Hattie runs to a nearby park and cries. She mentally curses Nana—something she has never done before. Hattie worries that she did not get to say goodbye or explain, and wonders if she was a good friend to Leila. Hattie sees police at Nana’s house and learns that Adam is missing. Nana and Papa anxiously ask if Hattie has seen him, then tell her to go home. A search begins while Hattie stays with Miss Hagerty. She asks the older lady what is actually wrong with Adam, but Miss Hagerty can only say that he is “funny” or perhaps “mentally ill,” which does not help Hattie understand. Hattie and Catherine commiserate with each other over their losses. Mom and Dad wake Hattie later that night to tell her Adam hanged himself. Hattie is sad but unsurprised.

Chapters 15-19 Analysis

In these chapters, two pivotal events culminate in crisis, forcing Hattie to face and process mature situations. Hattie asserts her independence from adult control with mixed results as she chafes under the family’s secretiveness. Martin expands on the themes of family communication and friendship as Hattie wrestles with understanding her affinity to Adam and her confusion about the nature of his illness.

Hattie’s poor decision to secretly include Adam in the girls’ carnival evening comes from her conviction that the adults do not have Adam’s best interests at heart. Hattie approaches her relationship with Adam from a position of empathy and friendship, as opposed to adult practicality.

Hattie believes that the adults would rather continue hiding Adam away because he is an inconvenient embarrassment. Hattie thinks that she is the only one who cares about Adam—or understands him. Her perspective reveals her naiveté, which stems from the fact that the adults have withheld knowledge of Adam’s background from her. Hattie is on the cusp of adulthood, but is still a child—but unlike Adam, who will always stay “not exactly a child, but he is sort of a child” (124), Hattie will gain experience and mature. Right now though, her family’s secrecy, euphemizing, and overprotection have negative repercussions: Hattie worries that she may share Adam’s illness because her attempts at discovering “what is wrong with Adam” (162) come up against a wall of noninformation. Labels like “mentally ill” and “funny” mean nothing to Hattie.

Hattie feels caught in the middle of adult dynamics that she does not understand and family history of which she is ignorant. Hattie’s reaction to being punished for the carnival disaster is rebellious and accusatory. She views Nana as the villain: constantly trying to put Adam in a box, control him, and make him fit her perfect lifestyle. Hattie can empathize with Adam’s less nuanced emotions, but cannot yet empathize with the complexity of feelings the adults have about him. Hattie is also hamstrung by mixed messages she receives from the adults: Hattie has been given more and more responsibility for Adam but is chastised for making decisions for him. Nana alludes to the fact that things could have turned out “much worse” at the carnival, but does not expand. With the adults keeping these secrets and not communicating, Hattie cannot “know better.”

Even though Hattie makes an immature decision in taking Adam to the carnival, she learns several adult lessons in this section, and reveals a growing sense of self-awareness and independence. Hattie shows increasing maturity in her self-reflection. She wonders if she was as good friend to Leila, as Leila was to her. Hattie also takes more risks, rebelling against Nana’s punishment and her prejudiced opinions of Leila.

Hattie recognizes that even adults experience irrational fear. She comes to understand, after Adam’s disappearance and hearing Catherine’s story, that life can change in an instant from glorious to horrible—as symbolized by the Ferris wheel, which represents the highs and lows of human experience. Hattie also witnesses the partial display of an adult sexual relationship, something she is as curious about as Adam. By the end of this section, she must cope with the suicide of a family member. These adult situations and their resulting emotions catalyze Hattie’s transition from childhood to adolescence. 

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