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53 pages 1 hour read

Elin Hilderbrand

28 Summers

Fiction | Novel | Adult | Published in 2020

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Themes

Nuance and Guilt: Public Versus Private Expectations

Romantic infidelity is an important component of 28 Summers, as Jake’s relationship with Ursula—which culminates in marriage—means that his relationship with Mallory is adulterous. The narrative surrounding Mallory and Jake’s relationship establishes the idea that although society might believe what they’re doing is wrong, Jake and Mallory believe themselves mostly innocent because they aren’t guilty emotionally. Mallory is generally single during her trysts with Jake, although she pursues romantic relationships with other men during the rest of the year. Two of these men are single, but she finds out that a third, Bayer, is married after she becomes romantically entangled with him. Jake struggles with some feelings of guilt during his early summers with Mallory (Ursula’s characterization as emotionally distant, competitive, and self-centered helps suggest that Jake has an emotional void that his annual weekend with Mallory helps fill). The dynamic is also intended to prevent the reader from “feeling sorry” for Ursula, who seems to treat her marriage with Jake and his well-being as afterthoughts. Jake reflects that “If he were to lose his job, go bankrupt, get hit by a bus, or be diagnosed with terminal cancer while he was married to Ursula, he’d be on his own” (70). This establishes Ursula as someone with whom Jake does not have a strong emotional connection—largely because of her own demeanor. Her lack of love toward her husband exonerates Jake of wrongdoing in the eyes of some readers. By contrast, Mallory exhibits interest in and care toward Jake. Such careful characterization allows Hilderbrand to add nuance to Mallory and Jake’s relationship as emotionally acceptable. Though it may be an act of deception and infidelity, and though they both feel guilt, they also remain faithful to their constant love and devotion for one another. Mallory herself wonders why others should decide on whether their actions are right or wrong when they themselves aren’t actively trying to hurt anyone.       

The Cavendish hearings related in Chapter 26, on the other hand, are portrayed in such a way that Hilderbrand establishes an alternative definition of wrongdoing—the desire to mistreat others for self-gain. Because Mallory and Jake don’t intend to harm anyone else, even Ursula, with their secret relationship, they can argue blamelessness in the moral world of the book. (Equating integrity with the lack of desire to hurt someone is continued when Cavendish’s accuser’s husband states that “They aren’t looking to ruin anyone” [378].) However, Cavendish, a powerful male who is portrayed as covering up his past offenses to retain his status, falls under the moral scrutiny of both Ursula and the narrator because he refuses to admit that he was at fault (378, 383).

Ursula experiences her own feelings of guilt just before Cavendish’s hearing, when Bayer tells her that he knows about her affair with Anders (384-85), implying that he could blackmail her with the information. Ursula might be tempted to let Cavendish off the hook because she also has secrets that she’s ashamed of. However, when Cavendish repeatedly denies the possibility that multiple women could be right about the accusations against him (387), Ursula turns against him. Furthermore, authorities are portrayed as trying to “shame” (382) Cavendish’s accusers for speaking out, which—especially when coupled with the gendered and sexual nature of the accusations—is a strong definition of moral wrongdoing in Hilderbrand’s story. This idea is supported by Hilderbrand’s own statements on X, formerly known as Twitter, during the real-life Brett Kavanaugh hearings in 2018. She stated that she was “horrified” about how Kavanaugh’s accusers were treated, and that “[a] vote for Kavanaugh is a vote against womankind” (@elinhilderbrand). In the narrator’s view, in addition to Jake’s exclusive emotional connection to Mallory, his admission that he would be honest with Ursula and Bess if they found out about Mallory (301) further separates him from “true” wrongdoers like Cavendish (and by implication, the real-life Kavanaugh).

Source citation:

@elinhilderbrand (Elin Hilderbrand). “If #BrettKavanaugh is confirmed I will be utterly horrified. A vote for Kavanaugh is a vote against womankind.” X, 4 Oct 2018, 7:53 AM.

Parenthood as a Unique Experience of Love

Hilderbrand presents Mallory and Jake as being involved in various types of relationships in 28 Summers, from two generations of parent-child relationships to friendship to siblings. Almost all of these relationships have some amount of negativity or ambiguity to them—even Mallory’s and Jake’s relationship with their children. Mallory faces physical and financial challenges as a single mother. She worries about Link’s unusual family structure in Chapter 10, and Mallory also wonders how to pay for a new roof for the cottage in Chapter 19. However, she finds great joy and satisfaction in becoming a mother. Unlike her relationship with Jake, which is arguably the next most important connection to Mallory, motherhood is part of her inward and outward identity—her own mother congratulates her on her parenting (218), Scott charms her because of his attention to Link (231), and Mallory’s role as devoted baseball supporter to Link’s team helps her get through the grief of losing her parents (329). As Link grows up over the course of the book and becomes more independent, Mallory mourns the changes to her role as mother (347, 366, 392, 394) because the role has brought her stability, satisfaction, and a feeling of being loved. This sadness, however, is part of many parents’ relationships with their children. Unlike Jake’s once-yearly presence in her life without any contact between Labor Day weekends, Link gives Mallory a foundational sense of identity, purpose, and connectedness. Mallory’s other relationships, particularly with her parents and Leland, are sometimes loving but also characterized by conflict, negativity, or emotional suppression, which emphasizes the positivity of her parenting experience even more.  

Jake, meanwhile, is also intimately involved with raising his daughter Bess (203-04, 25) and supports her as she gets older (360). His close, supportive, and loving relationship with Bess mirrors Mallory’s experience raising Link, another parallel between Mallory and Jake. Like Mallory, Jake experiences dissatisfying relationships in other areas of his life, notably his marriage with Ursula. Parenting becomes a refuge for him as well as Mallory. Even Ursula embraces motherhood in a way that is unusual for her (200-04), suggesting that parenthood is capable of unlocking emotions that are inaccessible in her other relationships. In fact, Ursula’s desire to run for public office is linked back to Bess: “Sweet, innocent baby girl. She deserves a world better than this—and Ursula is going to give it to her” (210). By giving their parents these positive experiences, Link and Bess take on added emotional weight in the story. These experiences connect them to each other in a way that makes their meeting at the end of the book especially significant.

Forgoing Romantic Relationships as an Expression of Self-Assurance

Mallory is determined, throughout 28 Summers, for her relationship with Jake to happen on their own terms. This reinforces Mallory’s characteristic of being self-assured and having confidence in herself. Even though she is sometimes concerned about what people think of her, she ultimately chooses to follow her heart rather than bow to social pressures. In the beginning of the book, she is determined not to pursue another long-distance relationship—which is what dating Jake would have entailed—after having an unsuccessful experience doing so with another boyfriend (56). Later, Jake’s status as Ursula’s boyfriend and later husband prevents them from being together openly unless Mallory demands that he leave Ursula for her instead. However, when she sees Ursula with Jake at Cooper’s first wedding, rather than being upset, she tells him, “I know I don’t have any claim on you” (69). Mallory views asking Jake to be with her openly and for either of them to consider moving to be together permanently as possessive, disruptive, and clingy. She says, “You have a job and a life in Washington and my life is here” (56). Mallory and Jake thrive, in fact, on the secrecy, sense of magic, and freshness of their emotional connection that their relationship entails. Hilderbrand paints Mallory’s decision not to pin Jake down to an official commitment as one of self-respect and selfless love for Jake, rather than coloring their relationship by relegating herself to the role of a stereotypical “spurned woman.”

Mallory’s decision does lead to loneliness and regret at times, however. She wishes that she and Jake could go openly together to Apple’s wedding (242-43) and that they were together more often (287). Family and friends all want her to find a partner. But Mallory stands by Jake’s commitment to Ursula when he doubts his marriage, “gently remind[ing] him that he’s already vowed to grow old with someone else” (182). Jake reflects that Mallory has made the decision to create and stand by their unconventional relationship, that “[s]he prefers it to a bigger commitment. She has him […] and she has her freedom, which, in years past, has meant other men” (182). Mallory enjoys relying on herself to create her and Link’s life on Nantucket, while knowing that her love for Jake remains pure and can be expressed through their annual weekend. As soon as she refuses Scott, she realizes that she doesn’t want to be with anyone besides Jake, forgoing further romantic involvements with other men and enjoying their weekend together. Her refusal to ask Jake for any outward commitment in the form of a societally-approved relationship reflects Hilderbrand’s desire to portray Mallory as resilient, self-aware, and independent. 

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